Muukalainen |Der Besucher | The Visitor | 2009 | Finland | Estonia | Germany | UK | Language Finnish | suomi

Release Date:5 November 2009 (Germany) Jukka-Pekka Valkeapää's The Visitor (not to be confused ...Release Date:5 November 2009 (Germany) Jukka-Pekka Valkeapää's The Visitor (not to be confused with the Thomas McCarthy picture starring Richard Jenkins) carries on the vital lesson of Aki Kaurismäki, according to whom images speak more potently than words, especially in Finnish cinema. Valkeapää doesn't go as far as Kaurismäki did (he actually made a silent film, Juha, in 1999), but gets pretty close thanks to his bold narrative choice of having a mute protagonist.
Originaltitel: Muukalainen
Kinostart: 05.11.2009
Filmlänge: 105 Min.
Jahr: 2008
Genre: Drama
Land: Finnland, Estland, Deutschland, Großbritannien
Verleih: farbfilm verleih
Website: http://www.muukalainen.fi
Regie: J.-P. Valkeapää
Buch: J.-P. Valkeapää, Jan Forsström
Kamera: Tuomo Hutri
Musik: Helena Tulve
Produzent: Alain de la Mata
Darsteller: Pavel Liska, Vitali Bobrov, Emilia Ikäheimo
Tags: The Visitor
The character concerned by that condition is a young boy who lives in the woods of Northern Finland with his mother, while the old man serves jail time. One day, a stranger shows up at their doorstep, demanding some hospitality. The mother accepts, whereas the father, who hears word of the recent turn of events, advises the boy to get rid of the man on the grounds that something terrible might happen.

The plot is as painstakingly simple as they come (even Kaurismäki tends to add a little something extra in his scripts), perhaps because Valkeapää isn't really interested in story development (as highlighted by the blatantly unrevealing conclusion), or character for that matter. The only person in the film who gets more than his due share of attention is the boy, whose eyes and face are the closest we, the audience, can hope to receive as an emotional bridge connecting us to the movie. He's on camera something like 95% of the running time, and the director uses his silence to pinpoint the real selling point of the film: the kid's relationship with nature, the only thing as quiet as he. Since the story takes place in winter, Valkeapää guides us, through the protagonist's eyes, into a landscape so beautiful it beats the living crap out of the best Christmas postcards (the only better option is to actually be there during the holiday season).

It's the uncanny combination of cinematography and central performance (the boy is staggering as the film reaches its climax) that elevates The Visitor just as much as is necessary to be above the standards of a conventional (read: dull) drama. If nothing else, it certainly will make people want to see Finland with their own eyes (even though the film was actually shot in Estonia).
Finnland, erste Hälfte des 20. Jahrhunderts. Ein zehnjähriger, stummer Junge lebt mit seiner jungen Mutter auf einem kleinen Hof inmitten der wilden finnischen Wälder. Seinen Vater sieht er selten: Der brutale Mann sitzt im weit entfernten Gefängnis ein. Als plötzlich ein Fremder mit einer Notiz des Vaters und einer Schußwunde in der Seite auf dem Hof auftaucht, gerät alles aus den Fugen. Das Schicksal ist nicht aufzuhalten...

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